Archive for April, 2004

Phoenix Film Festival wrap-up

Posted by Locked Horns on April 5th, 2004

Okay… so Sunday was as cool as Saturday was. I started the day by participating in a panel discussion called “Low-Budget Filmmaking Secrets,” moderated by my buddy Rob Sucato of Monsoon Films. It was myself and 3 other filmmakers, including fellow Arizona filmmaker Susan Brigham, director of Festival feature Greasewood Flat.

After the panel, me and the team hit the promo thing hard and tried to get rid of the rest of our postcards. We definitely hit saturation sometime on Sunday afternoon and it seemed everyone had heard of us by then.

At 3:10 we had our second screening of The Falls. Once again, a PACKED HOUSE, a near sell-out. Some folks who had seen it on Saturday actually came back for a second viewing - “to catch the clues we missed the first time,” I heard someone say. There was a strong contingent of Buffalo people in the audience too, and they seemed to love the film. I always think Buffalonians are going to hate it. I guess they get what I am saying with the film after all and don’t take any of it personally. Again, a great Q&A session - but this time I gave out a few of our T-shirts to those who asked the best questions. That got things flowing nicely and I answered as many insightful questions as I did on Saturday.

I couldn’t be happier with the turnout for the film on both days. Maybe it was the fact that the Festival directors kept putting me out there in the press (Channel 12, Arizona Republic twice, and on the internet in a couple of places), maybe it was how hard we promoted, maybe it was our website, maybe it was the fact that over 10,000 people (a record) attended this year’s event - or maybe it was more likely the combination of all of the above. Whatever it was, it worked. Now more people have seen my film than in all the previous screenings combined. Even more people came up to us throughout the evening on Sunday, congratulating us on a job well-done and complimenting our efforts. I could not have been happier with the whole experience.

Well… okay, so I could have been happier had I won an award. The Copper Wing Awards Ceremony concluded the Festival on Sunday night. It was pretty much the “Black Cloud show,” as Rick Schroder’s film cleaned up in almost every category. He seemed like he worked hard for it, so more power to him. But still… I can’t help but think that in the final analysis his film doesn’t need the help that those awards would have given another filmmaker that didn’t have a “name.” People came to see his film because it was Rick Schroder’s film. People will do that when it’s distributed, too. A Copper Wing for Best Ensemble Cast really isn’t going to alter that film’s destiny one iota, and it’s unfortunate that the judges couldn’t see that.

Anyway, that was the one sour note in the whole thing. It’s not that I wanted the awards - I never expected them. Considering that a certain very successful producer’s rep told me in 2002 that “this film will never get accepted to a film festival,” the fact that we got into 3 festivals this year is all the reward I need. Not to mention it’s proof of William Goldman’s adage about nobody in this business knowing anything.

One nice thing… Susan Brigham won Best Arizona Filmmaker. That was refreshing. And while Black Cloud won the Audience Award, Break a Leg won Best Feature. So it wasn’t 100% the Rick Schroder show.

So, we all went over to the tent and raised a few glasses and said a few goodbyes. This was such an amazing experience -exhausting, exhilarating, much too intense, glad it’s over but you don’t want it to end. Much like shooting a film.

Since I didn’t get to make a speech, I didn’t get to publicly thank Chris LaMont and Golan Ramras, the directors of the Phoenix Film Festival, for their support and for the terrific event they put together. Their staff of volunteers was nothing short of amazing. I can’t wait for next year’s Festival - whether I have a film in it or not!

Phoenix Film Festival - in the thick of it!

Posted by Locked Horns on April 5th, 2004

It’s Monday and I am still recovering. Steve Briscoe and Uncle Mike flew back East today and things are slowly returning to normal here at home. So let me try to recap Staurday and Sunday, both of which were awesome days.

On Saturday, I did a live TV appearance on Channel 12 News, plugging my film as well as the festival. Great folks over at 12, which is Phoenix’s NBC affiliate.

After Channel 12, I raced up to Scottsdale to pick up Steve and we went over to the Festival VIP Breakfast, hosted by Borders in the Scottsdale 101 plaza. There we got to talk with some more of our fellow filmmakers, as well as a few of the famous faces that graced our Festival this year. Yvette Freeman from “ER” (who directed one of the Festival’s short films) and her husband were delightful to talk to. We saw Dylan Baker again for a short while - turns out he and Ken Dapper know each other for years. I’m looking forward to seeing him in Spider-Man 2.

I probably spent more time chatting with Michael Tolkin than with anyone else. For those who don’t know, Mr. Tolkin wrote Robert Altman’s The Player. We spent a lot of time talking not about that film, but about a film that he both wrote and directed back in 1991 called The Rapture, an “end times” drama starring Mimi Rogers and the just starting out David Duchovny. Personally, I think the film is incredibly gutsy and daring in how it handles highly controversial subject matter, and some of its visuals are among the most haunting I’ve seen. It’s been 10 years since I’ve seen it but there are shots and sequences that still stick with me to this day. So getting to speak with Michael Tolkin about it was a blast. We took a tangent with Duchnovny and ended up talking about “The X-Files” for a bit and that was pretty cool too. All in all I felt we really hit it off and I hope to have the opportunity to converse with this very intelligent man again.

We spent most of the rest of the day heavily promoting the film and passing out postcard after postcard. My team as usual did a great job of getting the word out - so much so that when our screening happened at 5:30, IT WAS A SELL-OUT CROWD. They were literally turning people away we were so packed. I wasn’t entirely thrilled about the picture quality of the projection, but the crowd was terrific. Among those in attendance were Andy Sinur, Brad Doan, and Bruce Hall of Rainbow Studios. They each contributed to pre-production and postproduction in important ways - and Brad in production as well, on location with us for 30 days - so it was great that they could come out for the show. Marcia Wade (”Bodyguard Bruce”) was there as well as some of our investors. And Dick and Ann Ragsdale, whom I had met on the El Charro shoot (they’re the parents of director Rich Ragsdale and producer Kevin Ragsdale), came out to show their support. And of course my family were all there too, watching the film for something like the 10th time. Most importantly, my wife and producer Laura was there, finally attending her first such event with the film. That was the best part!

The Q&A session after the screening was great and I fielded questions ranging from aesthetics to business to technical aspects. The crowd was very well informed, interested in the process of filmmaking, and engaged by the film on a visual level and by the story. I had a number of folks come up to me afterwards and express their appreciation of the film. You could feel the buzz building.

Later in the evening we attended the big Saturday night party out in the tent. Again, lots of praise for the film, lots of positive buzz. I got to raise a glass with Michael Tolkin and chat with him some more. We met many more interesting folks, including Brian A. Green (of “90210″ among other things), who is now a director as well as an actor and had the film Fish with a Bicycle in the Festival. What a cool guy to talk to, very relaxed and down to Earth - not what you might expect from someone who had fame and fortune so early in life. This is a guy who has his head on straight and is really smart about the business. Another person I’d like to talk with again in the future.

We left the Festival on Saturday night on cloud 9. Anything after that would be gravy. Even if 3 people showed up on Sunday, we had a great presence at the Festival and were getting the most we could out of it.

All right… I’ll be back later with the recap of Sunday… the gravy, baby.

Film Festival vs. real life

Posted by Locked Horns on April 4th, 2004

Oh man… I have been wanting to update the blog for 3 days but it’s been so busy I haven’t had time. The funny thing is, I thought being in a festival right here in my own backyard would be easier. But the fact that I still need to tend to my regular life makes things twice as crazy. When I was at Uncle Mike’s last weekend for GSFF, all I had going on was GSFF. This weekend however, I had a video shoot for a client on Friday evening that I had booked months ago and I didn’t want to cancel, plus my usual home and family stuff to attend to. So it’s been a little nuts.

On Friday April 2, I spoke at the Phoenix Film Festival’s Educational Outreach program for high school students. It was an honor to be part of a program that included not only a couple of other filmmakers with films in the Festival, but also ILM visual effects producer Mark Miller, actor Dylan Baker, Oscar-nominated writer Michael Tolkin, and director John Landis. I didn’t get to speak with Mr. Landis, but the other panelists were great to talk with and I have had a number of conversations with each of them. Michael Tolkin especially. We spent quite a bit of time chatting at the VIP breakfast on Saturday and then again on Saturday night at the party.

The gist of my panel discussion was, “What do I do after high school if I want to be a filmmaker?” It was a good program and I think the high-schoolers got some valuable information out of it. We closed the Education Outreach program and sort of served as the capstone on the day for the kids. After the program then, as I said, I ended up off on a video shoot. But Uncle Mike, Steve Briscoe, Ken Dapper, and even my student and pal Clint Comer worked the Festival and handed out our postcards all day in my absence, then caught a screening of Rick Schroder’s Black Cloud.

Okay… more in a bit. Saturday was a great great great day and I have much more to write.

Phoenix Film Festival begins!

Posted by Locked Horns on April 1st, 2004

The Phoenix Film Festival technically began last night with a Filmmakers’ Dinner at Streets of New York Brewery in Scottsdale. Most of the out of town filmmakers flew in yesterday, and this was an opportunity to get everyone together in an informal way before the real festivities start tonight with the Opening Night Party. Executive Director Chris LaMont and a lot of his Festival staff were there, many of whom I have previosuly met at other film functions here in the Valley. They are a great group of people who care passionately about indpendent films and filmmakers and about putting on a world-class festival. They seem to be doing a great job at it, too. This is the Phoenix Film Festival’s 4th year, and Chris says that ticket pre-sales are already TRIPLE what they were last year.

Interesting tidbit… the Festival received 125 feature film submissions and selected 12 to screen. 1 in 10 odds. Garden State on the other hand received 100 submissions (not sure if that was total including shorts and animations, or if that was just features) and my film was one of 4 fiction features that was selected, making GSFF statistically more difficult to get into. Not sure what it all means, it’s just interesting to compare the two fests.

Anyway… big Opening Night Gala tonight. Steve Briscoe gets here around noon, and my Uncle Mike arrives at 8:30 this evening. Ken Dapper should be getting here today or tomorrow, too. This is going to be awesome.